Michelle Magorian in the Limelight
The Bookwitch writes:
If anyone had told me ten years ago that I’d be able to put together a few questions for Michelle Magorian, and that she’d actually answer them for me, and take the time to check that she hadn’t written too much (too much? – Impossible!), would have seemed close to unbelievable.
There is a love and respect for Michelle both among ‘ordinary’ readers and among her peers, which stands out. She’s not the most famous author in the world, nor the richest, but there is something about the way people have a special room in their hearts for her and Mister Tom.
I loved her new novel Impossible! and I felt I wanted to ask her about it, and why it took so much longer to appear in print than you’d expect from a ‘Michelle Magorian novel.’ Why didn’t publishers tear it from her hands? Here is Michelle with – nearly all – the answers:
- You must be the same age as Josie. What things do/did you have in common? Were you in the Girl Guides?
I was in the Girl Guides. It was the only way I could go camping. Like Josie I was also a tomboy and went to ballet classes and I loved acting. In my teens I used to hide in our local theatre and watch new companies set up the scenery and lights. I was discovered by the man who ran the theatre who said, ‘you naughty girl!’ He directed to me to his office where he promptly gave me fliers to hand out to people to advertise the new show.
- And did you watch ITV? You must have got those commercials from somewhere.
Yes. My family watched some of the programmes mentioned in Impossible! Other commercial jingles around at the time were:
Don’t forget the fruit gums Mum, You’re never alone with a strand and You’ll wonder where the yellow went when you brush your teeth with Pepsodent.
- Were you too young to have seen a Joan Littlewood production back then, or is this told from experience? If not then, did you see one later?
I was too young but when I was a drama student I knew of her and I assumed most people did. It was only later when I was carrying out research that I discovered how badly the Arts Council in this country had treated her and how she was fêted abroad. At a time when new playwrights in England were being hailed as angry young men, girls and women were told that they must never show their anger as it would make them appear ugly. Joan Littlewood did not follow this advice!
During my research I also began to have the most extraordinary coincidences. I remember looking at my October 1959 calendar and thinking, ‘wouldn’t it be wonderful if Joan Littlewood was directing a production that had crowd scenes in it so that Josie could be one of the crowd’. To my astonishment I discovered that at that exact time she was directing a new musical called Make Me an Offer and that there were market scenes in the Portobello Road. I couldn’t believe it. Then I discovered that one of the cast was a young Sheila Hancock.
- And for the celebrity question; do you know Sheila Hancock?
I had met her briefly at award ceremonies and then later when she was made Chancellor of Portsmouth University. I received a doctorate there and try to attend at least one ceremony a year to show my support to the students who are receiving their degrees. She very kindly allowed me to interview her and shared her memories with me.
And then, before one of the summer ceremonies, when I was standing in the waiting area in my robe she suddenly walked up to me and said, ‘I’ve been offered the part of the grandmother in Just Henry.’ I was stunned having only just received the script the previous evening. After we had chatted I realised that the vice-chancellor was standing nearby. ‘This is all under wraps, ‘ I exclaimed. ‘I haven’t heard a word,’ he said.
- Who actually were Scowler and Moustache? Just a couple of crooks?
If I answer this question it will give away some of the Just Henry plot. So – and this is for your eyes only…
(Sorry!)
- I know you researched things, but were there really that many police available to solve crimes and rescue people even then?
The River Police were fantastic. As I mentioned many of them were ex-Navy. One of their many jobs (which I haven’t mentioned in the book) is that they had to keep an eye out for ‘jumpers’ (people who committed suicide). In Impossible! the extremely nasty piece of work who is after Josie has been known to Scotland Yard for some time, which is why they are using extra man power. Although he has been responsible for a number of crimes they have never had enough evidence to pin him down as he always has other people to do his dirty work and if those ‘hired helps’ don’t do a good job they ‘disappear’ until their bodies are found. Naturally I haven’t put those details in the story as it is a book for young people but I have hinted at it in a conversation between DI Gallaway and Auntie Win. They are also convinced that Josie’s life is in danger.
- Five years ago you reckoned the book could be out in a year. What slowed things down?
When I delivered it to my publisher I was extremely shocked to be told that she wanted me to cut most of it and make it more of a stage school story, and for it to be no more than 60,000 words but the book was mainly about a child actor working professionally in an adult world and how those experiences changed her. I looked for ways I could cut it but realised that she was telling me that it was not the kind of book she wanted to publish. In other words it was a rejection.
The literary agent representing me offered it to other publishers but she told me that they had rejected it too because it was historical fiction and that my way of writing was too traditional. She suggested I find a publisher for it myself but as you know publishers won’t look at a book unless it comes through a literary agent.
I decided to ask Martin West for advice. He had been my editor for Goodnight Mister Tom. It was then that I discovered that he had started an independent publishing company called Troika Books. He asked me to send him the manuscript and loved it. He said it had him laughing one moment and then wondering how the hell Josie was going to get out of trouble the next, which was exactly what I had intended, a mixture of comedy and drama.
He also knew of Joan Littlewood and had actually been and seen the original performance of Oh What a Lovely War at the Theatre Royal Stratford East. It was later that I began to wonder if some of those publishers who had rejected the manuscript had thought that Joan Littlewood was a character I had invented as I have discovered since then that there are many people who have never heard of her.
By the way, they loved her in Sweden! And in France and in Russia and…
- Do you think people and publishers see you mainly as a writer of WW11 fiction? More of your novels are about the theatre, although Cuckoo In the Nest obviously shares some wartime experiences.
Perhaps they do. I don’t know. Most of my books contain the seeds of later books. Goodnight Mister Tom and A Little Love Song are the only novels I have written set in the second world war although Back Home, Cuckoo In the Nest, A Spoonful of Jam and Just Henry are about families finding ways to adjust to living together and cope with post war problems.
In 1947 there was a baby boom as demobbed men returned to England and families took to their beds to keep warm as electricity was rationed during the coldest winter since the 1880s so even Josie’s existence is influenced by the second world war.
- Do you have any thoughts on publishing today (that you are willing to share?)
I think thoughts about publishing today would be better coming from someone inside the industry. I have noticed a lot of moving around of staff from one publisher to another.
- Might you return to these characters in another book? Or have they suffered enough?
I will be returning to some minor characters for another children’s novel for Troika Books but I have to confess that I would also like to write an adult book about one of the people who is in Impossible!
Coincidences are good. They show that something was meant to be. Michelle’s writing is ‘too traditional?’ And they don’t want historical fiction? What’s wrong with people? God bless Troika Books.
I’m already looking forward to both these books. Take your time, though, Michelle. I can wait.
And I can’t resist this: ‘Den gula hinnan det är känt, den borstas bort med Pepsodent!’ It’s the only jingle I can recite, and try and visualise it delivered by Björn Borg if you can.